Arctic Trilogy
The Finnish National Theatre and the Ruska Ensemble are collaborating in a project to create a trilogy of performances dealing with Nordic issues. The trilogy establishes an internationally diverse artistic team, examining our common roots in the Arctic and exploring who we once were. Ruska Ensemble’s Arctic Trilogy gives a worldwide stage to the cultures of the North and brings out concerns about the future of the Arctic environment.
The group is concerned about the ecological and cultural future of the Arctic region. The aim is to strengthen our identities and to find alternative ways to approach and perceive the world. The focus is on the future of the Arctic people and their Northern environment.
Ruska Ensemble’s first production was a collaboration with Kokkola City Theatre titled The Last Morning Star (2011). The first part of a trilogy handling Arctic matters, Áillohaš—The Son of the Sun premiered at The Finnish National Theatre in 2014. It was a collaboration with the Finnish National Theatre and the Norwegian Beaivváš Sámi Našunálateáhter. The second part of the trilogy, Arctic Odyssey premiered at The Finnish National Theatre in 2017. It was a collaboration between the Finnish National Theatre and the Greenlandic National Theatre, Nunatta Isiginnaartitsisarfia. The third part of the trilogy will see daylight in 2023.
Some of Ruska Ensemble’s recent projects include:
Áillohaš—Son of the sun
In the Far North of Finland, a sensitive, dreamy young boy is the son of a reindeer herdsman within the Sámi community. When the time comes for him to undergo his community’s traditional coming-of-age ritual, he refuses to stab a young doe to death. The young boy’s failure to fulfil this masculine rite of passage stems from his deep connection to nature: he enjoys wandering through the tundra and singing with the birds. His activities are frowned upon by the local population. Even his relatives begin to wonder if he’ll ever be a real man. However, he has a mission. This mission takes him far from his native landscape out into the world, where he becomes known by the name of Nils-Aslak Valkeapää. Caught between local prejudice and the national mainstream, this determined young boy grows into a groundbreaking literary and artistic figure.
The play paints the portrait of a self-doubting, soul-searching artist, who discovered both the joy of art and the bitterness of fame. A powerful, beautifully poetic study of one man’s destiny, the production also tells the tale of the Sámi people, their art and struggle for survival. The tale expresses a yearning for beauty and purity in a world blindly propelled towards ecological disaster.
Nils-Aslak Valkeapää (Áillohaš in the Sámi language) (1943-2001) was a Sámi artist and one of the best known promoters of Sámi art and culture both in Finland and abroad. In some respects, Japan was his other home. He spent lots of time there and was strongly influenced by Japanese culture, where his art is also quite well known. Valkeapää was multi-talented, achieving a career as a writer, musician and visual artist. One of his most widely read works is The Sun, my Father (Beaivi, áhcázan), for which he received the Nordic Council Literary Prize in 1991.