Today, other Indigenous artists in the world are facing similar struggles to those experienced by the Mázejoavku a few decades ago. My aim is to shed light on the importance of art collectives as a strengthening and empowering agent for Indigenous sovereignty and Indigenous artists all over the world. I hope the story of the pioneering Mázejoavku will inspire the founding of other Indigenous collectives and further discourses on Indigenous art.
Susanne Hætta (b. 1975) is a Northern Sámi author, photographer and visual artist from Áltá/Alta, living and working in Finnmárku/Finnmark on the Norwegian side of Sápmi. Her previous books are Luondduadjágasat—Dreamscapes, about Sámi artist Synnøve Persen (2018); Mari Moments—Mari Liibbat, on Sámi artist Mari Boine (2017); the biography Utsi—veien ut av det kriminelle livet (2015) and the children’s book Okta beaivi Ánniin (2000). As a visual artist, Hætta has been represented in several exhibitions, the most recent being Let the River Flow. The Sovereign Will and the Making of a New Worldliness at Office for Contemporary Art Norway in Oslo, Norway 2018; Tensta Konsthall in Stockholm, Sweden 2019 and Sámi Dáiddaguovddáš in Kárášjohka, Sápmi/Norway 2019. Hætta is educated in social sciences, and has a background in journalism.
 The Sámi people consist of several groups, the largest being Northern Sámi. The Mázejoavku members were all Northern Sámi. See also pp. 12–13 of Mázejoavku: Indigenous Collectivity and Art.
 Sápmi is the Northern Sámi name of an area stretching across Guoladát/Kola, Northwest Russia, Northern Finland and large parts of Sweden and Norway that is, and has been, inhabited and used by the Sámi. See also page 15 of Mázejoavku: Indigenous Collectivity and Art. Another Sámi art collective, Luoddagruppen (Sw.)/ The Luodda Group(Eng.), was founded the same year on the Swedish side of Sápmi. Two of the members were Maj-Doris Rimpi and Lars Johansson Nutti (1933–2019).
 Máze is situated in Guovdageaidnu/Kautokeino municipality in what was then Finnmárku/Finnmark county, on the Norwegian side of Sápmi. Finnmárku is from 2020 merged with neighbouring Romssa/Troms county, now called Romsa and Finnmárku county. The merger was done after a controversial parliamentary decision process comparable to the one that spurred the Áltá Action, and despite heavy protests from a vast majority in both counties. I will throughout the book refer to Finnmárku and Romssa as separate county units, as they were when these events took place. Unless otherwise stated, the geographical names are within the nation state borders of Norway, and the policies and authorities described are Norwegian. When mentioned for the first time, the Sámi geo-graphical names are given first in Sámi, with the Norwegian/Swedish/ Finnish name after the slash. Subsequently, only the Sámi names are used throughout the book. National states are named in English throughout the book.
 Áltá municipality is a one-hour drive towards the coast north of Máze, where the Áltá-Guovdageaidnu river meets the sea. Áltá has the largest population in Finnmárku county: 20,759 in 2019. Statistics Norway, orig. Statistisk Sentralbyrå (Norw.). About the Áltá Action, see pp. 22, 79, 98 and 116 of Mázejoavku: Indigenous Collectivity and Art.
Credit: This article is an excerpt from the introduction of Mázejoavku: Indigenous Collectivity and Art, published in 2020. COURTESY THE AUTHOR.