Inuit Cinema at the NFB
Celebrate Inuit cinema with the National Film Board of Canada’s new digital channel, Inuit Cinema at the NFB. Enjoy…
Land
Creating
Representation
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Captured by RJ Ramrattan, General Manager for Canadian Arctic Producers, on his cell phone, the following images offer a special glimpse of the artist at work. The final piece, Proud Hunter (2014), tells the story of a poor young hunter hoping to take a wife.
Explains the artist:
This story is part of a larger story my mom used to tell me at bedtime. It’s a story I’ll never forget. This man was a poor hunter, who wanted to marry an Inuit lady. He asked his mom, “Can you ask the parents of this woman I want to marry for their permission?” His mother said, “You cannot do that because you are a poor hunter.” He kept asking his mother for help until finally she went to the parents of the woman. She said, “My son wants to marry your daughter.” The woman’s parents said, “No because he is a poor hunter.” Still, the poor hunter continued to ask his mother and the parents, until finally they agreed. Before his new wife came, the hunter built a big igloo and assembled a dog team. He hunted walrus and caribou. When she arrived, he held up a bird and a fish. He said, “I have hunted, and I have made clothing for you. This is what I have. And I hope that you are proud to be my wife.”
I have hunted, and I have made clothing for you. This is what I have. And I hope that you are proud to be my wife.
The topography of Gjoa Haven and the surrounding area is characterized by wide open skies and rocky terrain. Beyond the community, King William Island’s expansive vistas are dotted with seasonal structures, like Puqiqnak’s cabin, as well as indicators of wildlife such as the caribou jaw bone Uriash holds here.
When Uriash asked me if I wanted to see his cabin, I didn’t think twice!
He and I jumped into the truck and we drove straight there.
I watched him carve a beautiful sculpture while he shared many stories with me.
He talked about himself, his wife and living in Gjoa Haven.
We shared a pot of tea, what Uriash calls “Arctic Ice Tea” and dried fish.
We chatted for hours. It was a beautiful experience.
– RJ Ramrattan
Uriash’s time carving on the land is complemented by reading or sharing a cup of tea and valuable knowledge with friends. In the above images we see the artist flipping through the pages of Adrian G. Morice’s Thawing Out the Eskimo (1943), preparing his famous glacier ice tea and speaking to a hunter in Arctic Bay through the CB radio he uses to assist people who are lost or stuck on the land. In addition to his role as respected artist, Puqiqnak actively contributes to his community and has served on municipal and territorial governments.
Credit: This article was originally published in the Spring 2016 issue of the Inuit Art Quarterly. Copyright the Inuit Art Foundation.
This story is part of the Nunavut Spotlight. View more content from the Spotlight here.
We, the hosts and organizers of Arctic Arts Summit 2022, recognize and respect the many languages of the circumpolar region. The core information on this site is presented in English and French, Canada’s two official languages, as well as in Inuktut, the most widely spoken Indigenous language in the North of Canada, and Southern Tutchone, one of the many First Nation languages in Yukon and the language of the nations on whose territory the in-person Summit will be hosted. The discursive and artistic content on this platform will be available in the language in which it was submitted and/or created.
We acknowledge the predominance of English on the site. This is, in part, a reflection of the use of English as a widely understood language throughout the circumpolar region today. We will, however, encourage and actively seek to include content that reflects the many languages of the North.
View in French | View in Inuktut | View in Southern Tutchone
The hosts and organizers of Arctic Arts Summit 2022 acknowledge and affirm the Articles of the United Nations Declaration on the Rights of Indigenous Peoples (UNDRIP) and recognize the inherent rights and historical territories of Indigenous peoples across the North and around the world. We recognize and respect the First peoples of the many lands of the circumpolar region.
Connection to land, territories, histories, and cultures are fundamental to our sense of who we are as peoples and societies. We honour this connection and commit to our shared journey of conciliation as we work to build an equitable, sustainable, just, and collaborative future for all.
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